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Sgr’s Master Woodcarver, Ghulam Nabi Hakak, Fights to Preserve Kashmir’s Dying Art

‘Believed to have carved the UN logo in the 1970s, the 78-year-old artisan continues to keep traditional woodcarving alive despite declining demand’

TKU DeskbyTKU Desk
February 7, 2025
in Jammu & Kashmir

Srinagar: Ghulam Nabi Hakak, a 78-year-old master woodcarver from Nawabazar, Srinagar, is renowned for his elaborate floral patterns and is believed to have carved the United Nations logo in the 1970s, which still adorns the General Assembly wall.

Despite his age, Hakak remains dedicated to his craft, working tirelessly to preserve the centuries-old tradition of Kashmiri woodcarving.

Speaking to the news agency—Kashmir News Observer (KNO)—Ghulam Nabi Hakak recalled learning the art from a seasoned woodcarver six decades ago. “Handling the chisel was challenging at first. I injured myself several times before mastering the craft,” he said.

Operating from his workshop in Srinagar’s downtown, Ghulam Nabi Hakak, along with two fellow artisans—including his brother—continues to create exquisite wooden pieces, ranging from intricately designed doors to Qur’an stands and furniture. However, he lamented the decline in demand for handcrafted items.

“The work is not as abundant as before. People now prefer machine-made products over traditional handcrafted woodwork,” he said, urging the government to step in and support artisans in reviving this fading heritage.

Despite the challenges, Hakak remains committed to passing on his skills to younger generations, hoping to keep Kashmir’s woodcarving legacy alive for years to come.

It may be recalled that a woodcarver in Kashmir typically has a background deeply rooted in the centuries-old tradition of intricate walnut woodcarving. Artisans, known locally as “Naqash,” utilize the abundant walnut trees in the region to create detailed designs on furniture, decorative items, and architectural elements.

The craft often traces its origins back to the 15th century when Sheikh Hamza Makhdoom introduced it to the valley. Their work often features floral motifs, geometric patterns, and Islamic influences and is highly prized for its delicate craftsmanship and the unique qualities of Kashmir walnut wood—(KNO)

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